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[prod_description] => <b>[FEATURES] </b><br /> <br /> <b>Taming the Beast</b><br /> <i>BY N.M. KELBY</i><br /> The best ideas can start out running wild—but you'll need to train them onto the page if you want to write that novel you have inside of you. Here's how. <br /> <br /> <b>How to Make Your Novel a Page Turner</b><br /> <i>BY ELIZABETH SIMS</i><br /> Never underestimate the power of suspense—in any genre. Use these surefire techniques to make your book one readers won't be able to put down. <br /> <br /> <b>Fact Into Fiction</b><br /> <i>BY KAREN DIONNE</i><br /> Details, details. You need them to make your story believable, but too many can drag your plot to a halt. Here's how to strike that just-right balance of fact in your fiction. <br /> <br /> <b>Take Your Novel to the Finish Line</b><br /> <i>BY LIN ENGER</i><br /> You need stamina to transform that out-of-shape first draft into a story with staying power. Use these four revision strategies to make your novel go the distance. <br /> <br /> <b>90 Secrets of Bestselling Authors</b><br /> <i>COMPILED BY JESSICA STRAWSER</i><br /> Your favorite writers share their take on ideas and inspiration, style and craft, plot and characters, rituals and methods—and everything in between. <br /> <br /> <b>THE WD INTERVIEW: Lawrence Ferlinghetti</b><br /> <i>BY ZACHARY PETIT</i><br /> An enduring icon of the Beat Generation, poet, artist and City Lights co-founder Lawrence Ferlinghetti reflects on literary uprisings—past, present and future. <br /> <br /> <b>[COLUMNS/DEPARTMENTS] </b> <br /> <br /> <b>INKWELL</b><br /> <i>EDITED BY ZACHARY PETIT</i><br /> <ul><li>Inspiration vs. Perspiration<li>Bob, The Column<li>The Novel Afterlife<li>You Are What You Read<li>Poetic Asides<li>Sea Change<li>4 Tips for Boosting Your YA</ul><br /> <b>Ask the Pro: Chris Richman, Agent</b> <br /> <i>BY KARA GEBHART UHL</i><br /> <br /> <b>Breaking In: Debut Author Spotlight</b> <br /> BY CHUCK SAMBUCHINO<br /> <br /> <b>MFA Insider: Low Residency, High Rewards</b> <br /> BY SENA JETER NASLUND<br /> <br /> <b>Questions & Quandaries</b> <br /> <i>BY BRIAN A. KLEMS</i><br /> When to query agents; copyrighting titles; MFAs <br /> <br /> <b>Your Story: My First Job as a Teacher </b> <br /> <i>BY REBEKAH REAVES</i><br /> <br /> <b>Conference Scene: Can't-Miss Events </b> <br /> <i>BY LINDA FORMICHELLI</i> <br /> <br /> <b>WRITER'S WORKBOOK</b><br /> Submitting Your Novel<br /> <br /> <b>Basics of a Solid 3-Paragraph Query</b> <br /> <i>BY ANN RITTENBERG</i><br /> <br /> <b>Your Guide to an Effective Novel Synopsis</b> <br /> <i>BY CHUCK SAMBUCHINO AND THE EDITORS OF WRITER'S DIGEST BOOKS</i><br /> <br /> <b>Make Rejection Into a Plan of Action </b><br /> <i>BY WENDY BURT-THOMAS</i><br />
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[prod_description] => <B>GET CREATIVE IN 2010</B> <BR> <BR><B>WHY INSPIRATION MATTERS</B> <BR>HERE ARE 7 REASONS—AND PLENTY OF WAYS TO USE THEM TO YOUR CREATIVE ADVANTAGE. <BR><I>BY FRED WHITE</I> <BR> <BR><B>MARRY YOUR LIFE TO YOUR WRITING</B> <BR>FINDING MORE TIME TO WRITE IS AS SIMPLE AS MAKING YOUR WRITING A PARTNER IN THE TIME YOU ALREADY HAVE. HERE'S HOW. <BR><I>BY SHEILA BENDER</I> <BR> <BR><B>DIY WRITING RETREATS</B> <BR>TOO BUSY TO WRITE? NO BUDGET TO GET AWAY? SETTING ASIDE A TIME AND PLACE FOR YOUR WRITING CAN BE EASIER THAN YOU THINK. <BR><I>BY KATHRYN HAUEISEN CASHEN</I> <BR> <BR><B>ESSENTIALS OF THE WRITING LIFE</B> <BR>WD READERS SHARE THEIR FAVORITE WAYS TO KEEP THE CREATIVITY FLOWING—INCLUDING GREAT TOOLS AND RESOURCES, EFFECTIVE WRITING RITUALS AND MUCH MORE. <BR> <BR><B>WINNING YOUR OWN BOOK</B> <BR>THESE 26 CONTESTS REWARD CREATIVITY WITH THE ULTIMATE PRIZE: A BOOK CONTRACT FOR YOUR WINNING MANUSCRIPT. <BR><I>COMPILED BY SCOTT FRANCIS</I> <BR> <BR><B>COMING SOON TO A BOOKSTORE NEAR YOU</B> <BR>GET CREATIVE WITH YOUR MARKETING: CREATE A TRAILER TO PROMOTE YOUR BOOK WITH CINEMATIC FLAIR. <BR><I>BY SHAUNA E. BLACK</I> <BR> <BR><B>THE WD INTERVIEW: SUE GRAFTON</B> <BR>FIVE BOOKS FROM THE END OF HER ALPHABET SERIES, SUE GRAFTON SAYS IT DOESN'T GET ANY EASIER—AND THERE'S ALWAYS ANOTHER LESSON TO LEARN ABOUT THE ABCS OF WRITING. <BR><I>BY DIANA PAGE JORDAN</I> <BR> <BR><B>TRUTH, CREDIBILITY AND THE WRITER</B> <BR>IS IT EVER OK TO GET CREATIVE WITH THE FACTS IN NONFICTION? IF YOU THINK HONESTY'S THE ONLY POLICY, HERE ARE SOME GRAY AREAS TO CONSIDER. <BR><I>BY ART SPIKOL</I> <BR> <BR><B>COLUMNS/DEPARTMENTS </B> <BR><B>QUESTIONS & QUANDARIES: CHARGING FOR ONLINE WRITING; GENRES FOR YOUNG READERS</B> <BR><I>BY BRIAN A. KLEMS</I> <BR> <BR><B>ASK THE PRO: RACHELLE GARDNER, AGENT</B> <BR><I>BY KARA GEBHART UHL</I> <BR> <BR><B>BREAKING IN: DEBUT AUTHOR SPOTLIGHT</B> <BR><I>BY CHUCK SAMBUCHINO</I> <BR> <BR> <B>MFA INSIDER: THERE'S NO SUCH THING AS A FAILED STORY</B> <BR><I>BY JOHN SMOLENS</I> <BR> <BR> <B>YOUR STORY: CONQUERED FEAR </B> <BR><I>BY JESSICA KRUGER</I> <BR> <BR><B>STANDOUT MARKETS: GRAYWOLF PRESS; <I>PORTLAND REVIEW</I> </B> <BR><I>BY VANESSA WIELAND</I> <BR> <BR> <B>CONFERENCE SCENE: DESTINATIONS</B> <BR><I>BY LINDA FORMICHELLI</I> <BR> <BR><B>INKWELL</B> <BR><I>EDITED BY ZACHARY PETIT</I> <BR><UL><LI> PREWRITING IN PLASTIC <BR><LI> WAKE UP THAT SUBCONSCIOUS <BR><LI> STICKY SITUATION ROOM <BR><LI> BLOGGER BEWARE? <BR><LI> BOB, THE COLUMN <BR><LI> POETIC ASIDES</UL> <BR> <BR><B>WRITER'S WORKBOOK</B> <BR><B>STRETCH YOUR CREATIVITY</B> <BR> <BR><B><I>UN</I>KEEP A JOURNAL TO GROW YOUR WRITING</B> <BR><I>BY HEATHER SELLERS</I> <BR><B>ENRICH YOUR DESCRIPTIONS</B> <BR><I>BY STEPHENIE STEELE AND JOE STOLLENWERK</I> <BR><B>WRITE YOURSELF OUT OF A RUT </B> <BR><I>BY BRIAN KITELEY</I> <BR> <BR><BR><B>PLUS: </B> <BR><BR><UL><LI> CONTRIBUTORS <BR><BR><LI> EDITOR'S LETTER <BR><BR><LI> ONLINE EXCLUSIVES <BR><BR><LI> READER MAIL</UL> <BR> <BR> <BR>
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